{"id":77,"date":"2016-12-25T11:38:26","date_gmt":"2016-12-25T10:38:26","guid":{"rendered":"http:\/\/www.acote.be\/utopie-jossetiste\/?p=77"},"modified":"2016-12-25T11:38:26","modified_gmt":"2016-12-25T10:38:26","slug":"2017-annee-elastique","status":"publish","type":"post","link":"http:\/\/www.acote.be\/utopie-jossetiste\/2016\/12\/25\/2017-annee-elastique\/","title":{"rendered":"2017 ann\u00e9e \u00e9lastique"},"content":{"rendered":"

L’art est sp\u00e9culatif comme la finance, permet de vivre le futur dans le pr\u00e9sent.
\nThe experience of the aesthetic is \u2013 for all that it is fictive \u2013 no less an experience (Adorno).
\n\u00ab\u00a0The mere existence of \u201cart\u201d testifies to the insufficiency of life. A performance indicates to the audience \u201cwhat if things were this way…\u201d \u2013 and for a moment they are. (Andrew Hewitt).
\nLa phrase de Khrushchev en 1964 s\u2019adressant aux peintres non figuratifs de Moscou est revendiqu\u00e9e ici : \u00ab Private psycho-pathological distortions of the public conscience \u00bb.
\nLes trois raisons d’un art participatif (Claire Bishop):
\nL’occident : lutter contre l’individualisme, \u00ab\u00a0le vivre ensemble\u00a0\u00bb (le \u00ab devoir de l\u2019artiste \u00bb (jf), \u00ab aller \u00e0 la rencontre avec l\u2019autre \u00bb (jf).
\nL’Am\u00e9rique latine : faire prendre conscience aux gens de leur condition sociale pour les faire r\u00e9agir (la croute au mur 2002-2017 d\u2019acote.be (jf).
\nL’URSS (Collective Actions Group): had no such agitationary goals. It was, rather, a means of experiencing a more authentic (because individual and self-organized) mode of collective experience than the one prescribed by the state in official parades and mass spectacles.
\n\u00ab L’art est une suspension de l’\u00e9thique \u00bb (Antje Hildebrandt).
\n\u00ab\u00a0Participation here denoted the possibility of producing individual affect and singular experience (la mienne pendant les d\u00e9ambulations), relayed through a meditative relationship to language(comme le pr\u00e9sent texte) that in turn presupposed collective reception and debate (pr\u00e9sence en facebook).\u00a0\u00bb
\n\u00ab In face of the increasingly extensive commercialization of art on a global scale, it is possible to observe a search for alternative forms of communication and cooperation, which link art back\u2014outside its market and mass-media circulation\u2014to an investigation of one\u2019s own conditions of perception and understanding \u00bb (__http:\/\/conceptualism.letov.ru\/<\/a>).
\nSi on accepte la division entre l’art et la vie, l\u2019art devient pur divertissement, si on n\u2019accepte pas cette division il devient pure revendication, c’est dans la tension entre ces deux p\u00f4les, dans le clivage, dans l’\u00e0 cot\u00e9, qu’on peut comprendre ce qui se joue.<\/span><\/p>\n

 <\/p>\n

MARIO HORENSTEIN a publi\u00e9 ce texte sur son __fb<\/a> le 21 d\u00e9cembre 2016<\/p>\n","protected":false},"excerpt":{"rendered":"

L’art est sp\u00e9culatif comme la finance, permet de vivre le futur dans le pr\u00e9sent. The experience of the aesthetic is \u2013 for all that it is fictive \u2013 no less an experience (Adorno). \u00ab\u00a0The mere existence of \u201cart\u201d testifies to the insufficiency of life. A performance indicates to the audience \u201cwhat if things were this […]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[8],"class_list":["post-77","post","type-post","status-publish","format-standard","hentry","category-discussion","tag-mario-horenstein"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.acote.be\/utopie-jossetiste\/wp-json\/wp\/v2\/posts\/77","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.acote.be\/utopie-jossetiste\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.acote.be\/utopie-jossetiste\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.acote.be\/utopie-jossetiste\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.acote.be\/utopie-jossetiste\/wp-json\/wp\/v2\/comments?post=77"}],"version-history":[{"count":1,"href":"http:\/\/www.acote.be\/utopie-jossetiste\/wp-json\/wp\/v2\/posts\/77\/revisions"}],"predecessor-version":[{"id":78,"href":"http:\/\/www.acote.be\/utopie-jossetiste\/wp-json\/wp\/v2\/posts\/77\/revisions\/78"}],"wp:attachment":[{"href":"http:\/\/www.acote.be\/utopie-jossetiste\/wp-json\/wp\/v2\/media?parent=77"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.acote.be\/utopie-jossetiste\/wp-json\/wp\/v2\/categories?post=77"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.acote.be\/utopie-jossetiste\/wp-json\/wp\/v2\/tags?post=77"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}